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ABOUT "ONLY YOU" PDF Print

onlyyouFrom the very first song (“Ka‘ahumanu”), you will be struck by the sweetness of their awesome four-part harmony. From there you are taken on musical ride...through jazzy numbers with full orchestration, to beautiful acoustic pieces, and numbers that focus on the strength of their vocal styling. In each song you hear the inspiration of the traditional Hawaiian music that is the common thread that holds everything together.When asked why they did this project, the answer is unanimous:to soothe and heal through beautiful Hawaiian music. After listening to “Only You,” you will agree that they indeed accomplished their goal.

For more info: Sharlene Oshiro • Ph: 808-341-5820 Email: This email address is being protected from spam bots, you need Javascript enabled to view it

 
Hoomaile's First CD PDF Print

HO'OMALIE'S FIRST CD  . . . . . . is about one month from being completed.  It is going to make a very significant contribution to Hawaii's self-produced music and we think will make a refreshing addition to our airwaves.  Stay tuned and we'll let you know when it will be available.  Come listen to us!!!!

 
SAN DIEGO August 2006 PDF Print

mainPacific Music Foundation has established outstanding recognition for relevant and meaningful participation in ukulele festivals.  We are growing our presence in these mainland and worldwide festivals as a means of promoting cultural exchange.  This was our first trip to San Diego and we certainly hope it won't be our last.  Concerts and workshops were well received, enough to have extracted an invitation from the San Diego planners to return next year.  In addition, we may be returning several times during the year to do more workshops.  The highlight of the San Diego festival was helping them try to beat their Guinness Book of World Records feat of having the most people strumming ukes at the same time.  Kimo Hussey was asked to lead the group in their chosen song.  Since we were on San Diego television twice and with Kimo's radio interview with a Los Angeles station, PMF received some great press.  Anyway, we've got a great uke program in place and are developing one similar in ki ho'alu.  Come help us!!!!

 
ALASKA July 2006 PDF Print

image2We accepted an invitation to help Anchorage, Alaska, celebrate the fourth of July.  In the course of planning for this trip, we made contact with the Hawaiian community in Anchorage to arrange for some workshops and concerts in addition to that which we were doing for the City of Anchorage.  By doing this, we helped ourselves ease the burden of paying for the trip.  We did fund this trip with PMF dollars which is a good way of showing donors we are responsible in exercising in-kind funding.  We believe our dollars spent will indeed return tenfold, at least.  We discovered Alaska has developed quite a reputation for sponsoring great folk festivals.  They do this in the winter also as a means of providing their citizenry some brightness in dealing with the long, dark and very cold winters (though winter in Alaska is absolutely beautiful and serene).  So we absolutely filled the calabash with cultural exchange not only with the Alaskan natives, who definitely have a noticeable kinship to Hawaii, but also with the Hawaiian community who so appreciated having "Hawaiianess" come to them.  Alaska loved our music (we've been invited back and they definitely want Lo'ea to return) and the workshops we did were VERY WELL RECEIVED.  We learned a lot about facilitating workshops and even got to be on Alaskan television (we had a brief on-air jam with the weather forecaster).  Most importantly, we think we know what people enjoy most about attending these workshops and plan to fill our training heavily with these lessons-learned.  For PMF membership, we also discovered that doing these workshops is extremely rewarding, at least as rewarding as it is to play good music.  We have been invited back and are planning to take more examples of Hawaiian culture with us.  Traveling to effect cultural exchange is now and will continue to be a very bright light in PMF's quiver of fun, exciting and meaningful things to do.  Come join us!!!

 
About PMF PDF Print

WHY, WHEN AND HOW WAS PMF STARTED?
Pacific Music Foundation was started as a non-profit organization in 2005. Our mission statement is to facilitate music that soothes.

WHAT ARE PMF’S LONG-TERM GOALS?
Our long term goals are to secure facilitation of music that soothes through development of programs in music instruction, language instruction, dance appreciation (especially dance/motion therapy) and worldwide cultural exchange activities.


WHAT ARE SOME PRIOR AND CURRENT ACTIVITIES
Our first musical activity was singing at Castle Hospital, Hale Ku’ike (a rest home located in lower Nuuanu) as well as a Kupuna Hale in Waimanalo. Prior to formal inception of Pacific Music Foundation, Mr. Hussey was invited to organize and present a workshop in Music Therapy at Castle Hospital. This invitation was based on documented work in music Mr. Hussey had previously accomplished at Castle Hospital. Our facilities presentations were reduced in order to satisfy other musical initiatives and address organizational issues. We have also played in several different venues including Merrie Monarch, where our music was received quite well by everyone. Our first full-length concert was held at Mission Memorial Auditorium on May 4, 2006. We have raised funds to support a trip to Alaska this July, 2006, to participate in a folk festival. One of the reasons Alaskan planners coordinate these festivals is to bring Hawaiian music and dance to the growing community of Hawaiians living in Alaska. Pacific Music Foundation’s involvement with promotion of ukulele has been significant. We have already made several mainland appearances to support workshops and performances


WHAT HAS BEEN THE IMPACT OF SOME PAST ACCOMPLISHMENTS?
To date, Pacific Music Foundation’s services to community have reached a minimum of 250 youth. The number of adults we’ve influenced through music and instruction exceeds 4500. Though our “clients” have come from Hawaii, various states on the mainland, Alaska, Japan, China, Korea, Australia, Canada and Germany, a significant majority are local and native Hawaiians. Students have departed our workshops determined to work toward proficiency goals we’ve established jointly. Those who have experienced our music leave in awe and appreciation of “nahenahe” stylings of Hawaiian music. Most importantly, kupuna have raved, tapped their feet, smiled, relaxed themselves to slumber, sung with us, clapped their hands, danced and even prayed with us for guidance and strength to promote our mission.


WHAT DOES PMF SEEK TO CHANGE OR IMPROVE?
Scientific research as well as empirical information gathered over centuries indicate with certainty that music has the capability to soothe and even heal. Seventy universities on the mainland have degree programs in music therapy, so we are well-aware of music therapy’s capabilities. Many hospitals on the mainland utilize specially recorded music in their neo-natal care units to soothe newborns. This same kind of technology is practiced in Europe as well. If music for therapy were to be similarly practiced in Hawaii, so many benefits would accrue. Hawaii is blessed to have so many people who love music and enjoy performance ----- and music therapy would be a wonderful means of permitting interests to flourish, whether through education, performance or listening.


WHO ARE PMF’s BENEFICIARIES?
Pacific Music Foundation’s primary beneficiaries are communities and citizens . We provide Native Hawaiians special consideration and deserved recognition by using the music they developed since it so readily portrays those values and disciplines which give music therapy its wonderful integrity. The application of our work does not presume there is a problem, but promises it can take a person in almost any state and enhance that person’s sense of calm.


DOES PMF HAVE ANY PARTNER AGENCIES?
We are currently working with a music therapist from Germany in an attempt to structure a memorandum of understanding permitting exchange of information with Europe and Hawaii. We have begun work with the State of Hawaii to use music to create cultural exchange with China. We will continue to work closely with Dr. Arthur Harvey, a recently retired University of Hawaii music professor who is world-renowned in the field of music for therapy. Through board chairmanship, we also work in close coordination with Sounding Joy Music Therapy, Inc, whose specialty is the practice of clinical music therapy. The Ukulele Guild of Hawaii was started by individuals who shared a common interest in making ukulele and guitars. We currently do several joint projects with this guild and help them promote quality instruments made in Hawaii. There have been three instances of partnership with the City of Honolulu to sponsor two concerts and one workshop in promotion of music therapy’s benefits. Numerous times we have partnered with Castle Hospital, Hale Ku’ike and Waimanalo Health Center to permit their clients opportunities to experience music that soothes. On a trip to Alaska in July, we’ve partnered with the State of Alaska and two Hawaiian Clubs in Anchorage to provide them music that soothes.


WHAT ARE SOME ACTIVITIES YOU ARE PLANNING?
Our initial objective is to recruit people to our organization to become students of “music that soothes”. By training these people to help us take our music into hospitals, care homes and other client community organizations, we develop more reach and continue to grow those benefits we seek for the Hawaiian community. As we do this, we also develop expertise in developing strategies to preserve/enhance our culture while simultaneously promoting cultural exchange worldwide. The music we develop gives us opportunities to educate our Hawaiian people to the benefits inherent in clinical music therapy and we are thereby able to make referrals to certified music therapists. We’ve also begun preliminary planning to institute a program of instruction in the Hawaiian language with an emphasis in writing poetry. This will enable Hawaiians to continue to develop a facility for artistic expression of our history, culture or folklore. We seek to develop this poetry so we can then make good use of our musical backgrounds and use these works to develop original music compositions. In so doing, we enable meaningful education in the arts at a time when diminishing dollars are reducing arts education in schools. In our Hawaiian culture, hula is very much tied to our music. Pacific Music Foundation is well-aware of meaningful, empirical research which documents several positive results of dance therapy. We will structure a program of hula instruction which includes the benefits of dance therapy. The popularity and benefits dancers accrue from hula will be enhanced through education in therapeutic aspects of dance.

 

 
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